Laissez les Bon Temps Rouler

People have been asking me how Mardi Gras went. Besides the immediate answers that erupt forth without hesitation (“AWESOME!” “AMAZING!” “AWE INSPIRING!”…see the following photos for visual proof), I always follow up with something else:
If you have never been to Mardi Gras, you have no idea how wonderful it actually is.

Given its notorious image as a ‘Girls Gone Wild’, drug and alcohol-rampant, voluntary nipple-slip extravaganza, it is easy to see how the historical, cultural and social connotations fall by the wayside.

Mardi Gras is first and foremost the biggest manifestation of the ‘keep it local’ trend. It is secondly about family and community. Third, it celebrates the deep rooted history of one of the most culturally diverse cities in the world.
Yes, there is alcohol involved and the French Quarter does get a fair amount of boob time on Fat Tuesday, but these things pale when you consider the aforementioned bullet points of M.Hunt’s Guide to Loving Mardi Gras Even More Than You Already Do (Nipple Free Edition).

Mardi Gras is made up of several ‘Krewes’, which are often named after Greek and Roman deities (Orpheus, Zeus, Bacchus, etc.). Many have been around for hundreds of years (Rex was officially formed in the 1870’s, though Carnival festivities had been going on for a previous 100 years), and some are new (the all-female Krewe of Nyx was formed just this year). Krewe membership is private, and usually limited to the New Orleans upper crust. Each Krewe is responsible for coming up with personal theme each year, obtaining their own parade permit from the city, and raising funds for Carnival festivities (which include parade floats, ‘throws’, or beads and other fun trinkets thrown off said floats, and sponsoring invitation-only, ritzy masked balls).

Translation: Mardi Gras is entirely funded by local residents. The city of New Orleans pays nothing. Sponsorship and revenue comes in the form of membership dues, private funding and the monetary support of hundreds of thousands of people flocking to one of the biggest block parties ever.

And flock they do. People from all over the world line the streets. People from around the corner set up tents, camp out in lawn chairs, arrange barbeque pits for sustenance. Local businesses shut down. The trolley stops running. Savvy entrepueneurs make a killing lining up portable toilets along parade routes. Bars modify their menus to better accommodate the vast hoards looking to satisfy their thirst. Parents hoist children to their shoulders or set them atop custom made ladders, poised to get the best throws from the towering floats.

There is an undeniable sense of freedom, of comraderie, of joy. Your first Mardi Gras or your 50th all elicit the same reaction: you have been waiting all year for this week. Live it up. Do what you want. Love everyone.

You are in a city that encourages you to get lost in the madness, to put all other worries and cares on hold, to thrive in the cultural immersion. The beat of that second line bass drum somehow mimics the beat of your own heart. Your outreached hand, stretching up to a stranger slinging beads with blinding ferocity, mirrors that of the little boy across the avenue. The cheerful greeting given out genuinely to passersby ripples across the city, spills from your very own lips.

Mardi Gras is magic. In a city that has faced incredible loss, both physical and economic, where crime is rampant and poverty tirelessly awaits, this wonderful tradition endures. It has survived fires, floods, violence, corruption. It brings together families, neighbors, countries, generations. It is a manifestation of joy, equality, generosity and tenacity. Mardi Grad exists even when it should not. It is magic certainly. But I would also call it miracle.



And there are SO MANY MARCHING BANDS!








































